影评英语作文80字

In the sound of music, the audience is intoxicated by the songs with many scenes. The beautiful, smooth and vivid music created by Richard Rogers and the elegant and popular lyrics written by Broadway producer Oscar Hammerstein II are undoubtedly the key factors for the unprecedented success of the film.

翻译：

《音乐之声》中众多情景交融的歌曲令观众沉醉不已，理查德·罗杰斯创作的优美动听、流畅生动的音乐和百老汇制作人奥斯卡·汉默斯坦二世撰写的雅俗共赏、惹人喜爱的歌词，无疑是该片取得空前成功的关键因素。

剧情简介：

《音乐之声》是由罗伯特·怀斯执导，朱莉·安德鲁斯、克里斯托弗·普卢默主演的音乐片，该片于1965年3月29日在英国上映。

该片讲述了修女玛丽亚到特拉普上校家当家庭教师，并和上校的7个孩子很快打成一片，上校也渐渐在玛丽亚的引导下改变了对孩子们的态度，并与玛丽亚之间产生了感情的故事。

该片获得了第38届奥斯卡金像奖最佳影片、最佳导演等五个奖项。

你先整一片中文的，然后在线翻译成英文的不就O啦！

《刺杀希特勒》(Valkyrie：历史)2009(115min)英文影评：Whatbecomesofamoviestarwhenthecareerhitsahiccupandthelustrestartstofade?Ifthemoviestarissmart,theygobacktobasics,reconnectingwiththefireoftheirformativeyears.Whatdrovethembackthen?Whatfirstmadethemstriveforgreatness?"WhenIwasakidIalwayswantedtokillHitler,"TomCruiserevealedrecently."Ihatedthatguyandallhestoodfor."Valkyrie,then,isnotjustthelatestTomCruiseactionthriller.Itisthefruitionofadream;aboyhoodfantasywritlarge;aHollywoodblockbusterthatprovidesanopportunitythatwasdeniedhiminlife.Inevitablyhebunglesit.BryanSinger'spicturecastsCruiseasClausvonStauffenberg,theWehrmachtcolonelwhospearheadedthe20July1944plottosavethefatherland.Woundedinbattleandsportinganattyeye-patch,vonStauffenberghasgrownsickofwar.Hewantsto"showtheworldthatnotallGermansarelikeHitler".Hehatesthatguyandallhestandsfor.Theobviousstickingpointhereisthat(spoiler!)vonStauffenbergdidnotactuallykillHitler.Theplotfailedandtheconspiratorswereexecuted.Playedasatragedy,orastarkstudyoffailedambitions,thismightnothavebeenaproblem.ExceptthatSingeroptstoframeValkyrieasahigh-conceptwartimesuspensethriller,invitingustosuspendourdisbeliefandgoalongfortheride.The1944plotwasatleastfiendishlyplannedandgenerallywellexecuted.Singer's,bycontrast,seemsflawedandfoolhardyfromthestart.ButwhatofSinger'sco-conspirator?ValkyriepaintsvonStauffenbergasthearchetypal"goodGerman",amodelofelegantdisenchantment.AndyetCruise,forallhisskillsasaperformer,doesnotdodisenchantment.Foralltheanguishedmomentsofdoubt,theconstantstaresintothemirror,hisvonStauffenbergisessentiallyTopGunwithaneye-patch.Thefilm'scuriousmelangeofdialectsonlyunderscoresthisquality.VonStauffenberg'scohortsareplayedbyBritishactors(BillNighy,TerenceStamp,KennethBranagh)whodelivertheirlinesinEnglishaccents.ThevillainousNaziisportrayedbyGermanactorThomasKretschmannwhospeaksEnglishinaGermanaccent.Andthen-standingseparateandapart-isCruisehimself,intoninghislinesinpurebloodAmerican.HemightaswellhavebeendroppedinfromanAlliedplane;agung-hoHollywoodherosentintocleanupaveryEuropeanmess.Hecouldn'tmanageitasakid,andhecan'tquitedoitnow.Hitlerone;TomCruisenil.对应中文翻译：什么成为一个电影明星，当职业生涯击呃逆和光泽开始褪色？如果是聪明的电影明星，他们回归本源，重新与消防的形成时期。是什么驱使他们回呢？第一次是什么使他们争取的伟大？“当我还是孩子的我一直想杀死希特勒，”汤姆克鲁斯近日透露。“我讨厌那个家伙和他主张。”北欧女神，那么，不仅是汤姆克鲁斯的最新动作片。这是取得成果的一个梦，一个儿时的梦想令状大;好莱坞大片，提供一个机会，这是剥夺他的生命。不可避免地，他bungles它。布莱恩辛格的图片蒙上克鲁斯的克劳斯冯施陶芬贝格，在国防军上校谁带头1944年7月20号阴谋拯救祖国。在战斗中受伤，并身穿整洁眼补丁，冯施陶芬贝格增加患病的战争。他希望“向世界表明，并不是所有的德国人喜欢希特勒”。他讨厌那个家伙和他主张。最明显的症结是，（扰流板！）冯施陶芬贝格实际上没有杀死希特勒。阴谋失败，阴谋被处决。打一场悲剧，或形成了鲜明的研究没有野心，这可能不是一个问题。但辛格选择框女神作为高概念战时悬疑惊悚片，邀请我们停止我们的怀疑和凑凑热闹。1944年阴谋至少极为普遍得到很好的规划和执行。歌手的，相比之下，似乎有缺陷的和愚蠢的开始。但是歌手的同谋？女神油漆冯施陶芬贝格作为典型的“德国好人”，一个优雅的模型觉醒。但克鲁斯，他的所有技能，作为一个演员，不会觉醒。所有的痛苦的时刻，毫无疑问，不断地凝视到镜子，他的冯施陶芬贝格基本上是壮志凌云的眼睛修补程序。影片的好奇混杂的方言不仅强调了这一点质量。冯施陶芬贝格的同伙正在发挥英国演员（比尔奈伊，特伦邮票，肯尼斯布莱纳）谁提供的线在英语口音。纳粹的罪恶所描绘的是德国演员托马斯克莱彻曼谁讲英语的德国口音。然后-除了常设单独-是克鲁斯本人，他的线intoning美国在pureblood。他可能也已下降盟军飞机从一个长庚浩好莱坞英雄发出清理非常欧洲一团糟。他无法管理它作为一个孩子，他不能做到现在。希特勒之一;汤姆克鲁斯为零。

Kramer vs. Kramer is a 1979 film which tells the story of a divorce and its impact on everyone involved, including the couple's young son. In Kramer vs. Kramer, Joanna Kramer, a Smith College graduate, is a stay-at-home mother for her son Billy. Feeling confined in this role, and neglected by her husband Ted, Joanna leaves the marriage in order to find herself a life. Ted, who has been focusing on his career in advertising, and was just given his agency's biggest new account, is shocked by Joanna's decision and is left to raise Billy by himself. With the help of his neighbor and Joanna's friend, Margaret, Ted comes to understand why his ex-wife Joanna left. In the process, he also becomes more invested in raising Billy than in his job. About a year and a half after leaving, Joanna returns to New York in order to claim Billy, and a custody battle ensues. The courts side with the mother. But Joanna knows that his son's true home is with Ted, and she chooses to let Billy stay with his father. There is an amazing cultural impact in Kramer vs. Kramer which I like best. It reflected a cultural shift that occurred during the 1970s and the period of second-wave feminism, when ideas about motherhood and fatherhood were changing in American society!