司汤达英文

司汤达（Marie-Henri Beyle，笔名Stendhal）是法国人，所以只有法语原文，没有英语原文。这句话出自De L'Amour (1822)第17章：La beauté n'est que la promesse du bonheur.常见的几种英语翻译：Beauty is the promise of happiness.Beauty is only a promise of happiness.Beauty is no more than the promise of happiness.我搜了下Stendhal+bonheur+beauté，确实没发现别的。Google Books上有De L'Amour的全文：，其中第17章（33-34页）都是作者在谈对美的看法，你可以自己看看

塞缪尔·贝克特 Samuel Beckett莫里哀 Molière司汤达 Stendhal巴尔扎克 Balzac维克多·雨果 Victor Hugo大仲马 Alexandre Dumas小仲马 Alexandre Dumas fils 梅里美 Mérimée 埃米尔·左拉 Emile zola阿尔封斯·都德 Alphonse Daudet居伊·德·莫泊桑 Guy de Maupassant罗曼•罗兰 Romain Rolland这些作家大都是法国人，所以是法语名字．

Marie-Henri Beyle ( 23 January 1783 – 23 March 1842), better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839), he is highly regarded for the acute analysis of his characters' psychology and considered one of the earliest and foremost practitioners of realism.Contemporary readers did not fully appreciate Stendhal's realistic style during the Romantic period in which he lived; he was not fully appreciated until the beginning of the 20th century. He dedicated his writing to "the Happy Few" (in English in the original). This can be interpreted as a reference to Canto 11 of Byron's Don Juan, which refers to "the thousand happy few" who enjoy high society, or to the "we few, we happy few, we band of brothers" line ofShakespeare's Henry V, but Stendhal's use more likely refers to The Vicar of Wakefield by Oliver Goldsmith, parts of which he had memorized in the course of teaching himself English. In The Vicar of Wakefield, "the happy few" refers ironically to the small number of people who read the title character's obscure and pedantic treatise on monogamy.As a literary critic, such as in Racine and Shakespeare, Stendhal championed the Romantic aesthetic by unfavorably comparing the rules and strictures of Racine's classicism to the freer verse and settings of Shakespeare, and supporting the writing of plays in prose.Today, Stendhal's works attract attention for their irony and psychological and historical dimensions. Stendhal was an avid fan of music, particularly the works of the composers Cimarosa, Mozart and Rossini. He wrote a biography of Rossini, Vie de Rossini (1824), now more valued for its wide-ranging musical criticism than for its historical content.In his works, Stendhal reprised excerpts appropriated from Giuseppe Carpani, Théophile Frédéric Winckler, Sismondi and others.

这应该很详细了，希望对你有帮助。Marie-Henri Beyle (January 23, 1783 – March 23, 1842), better known by his pen name Stendhal, was a 19th-century French writer. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839).LifeBorn in Grenoble, Isère, he had an unhappy childhood in what he found to be stifling provincial France, disliking his "unimaginative" father and mourning his mother, who had died when he was young. His closest friend was his younger sister, Pauline, with whom he maintained a steady correspondence throughout the first decade of the 19th century.The military and theatrical worlds of the First French Empire were a revelation to Beyle. He was named an auditor with the Conseil d'État on August 3, 1810, and thereafter took part in the French administration and in the Napoleonic wars. He travelled extensively in Germany and was part of Napoleon's army in the 1812 invasion of Russia.After the 1814 Treaty of Fontainebleau, he left for Italy, where he settled in Milan. He formed a particular attachment to Italy, where he spent much of the remainder of his career, serving as French consul at Trieste and Civitavecchia. His novel The Charterhouse of Parma, written in 52 days, is set in Italy, which he considered a more sincere and passionate country than Restoration France. An aside in that novel, referring to a character who contemplates suicide after being jilted, speaks volumes about his attitude towards his home country: "To make this course of action clear to my French readers, I must explain that in Italy, a country very far away from us, people are still driven to despair by love."Beyle used the pseudonym "Stendhal" (and over 100 others), and scholars in general believe he borrowed this nom de plume from the German city of Stendal in homage to Johann Joachim Winckelmann.Stendhal was a dandy and wit about town in Paris, as well as an inveterate womaniser who was obsessed with his sexual conquests. His genuine empathy towards women is evident in his books; Simone de Beauvoir spoke highly of him in The Second Sex. He seems to have preferred desire to consummation. One of his early works is On Love, a rational analysis of romantic passion that was based on his unrequited love for Mathilde, Countess Dembowska, whom he met while living at Milan. This fusion of, and tension between, clear-headed analysis and romantic feeling is typical of Stendhal's great novels; he could be considered a Romantic realist.Stendhal suffered miserable physical disabilities in his final years as he continued to produce some of his best work. As he noted in his journal, he was taking iodide of potassium and quicksilver to treat his syphilis, resulting in swollen armpits, difficulty swallowing, pains in his shrunken testicles, sleeplessness, giddiness, roaring in the ears, racing pulse and tremors so bad he could scarcely hold a fork or a pen. Indeed, he dictated Charterhouse in this pitiable state. Modern medicine has shown that his health problems were more attributable to his treatment than to his syphilis.Stendhal died on March 22, 1842, a few hours after collapsing with a seizure on the streets of Paris. He is interred in the Cimetière de Montmartre.WorksContemporary readers did not fully appreciate Stendhal's realistic style during the Romantic period in which he lived; he was not fully appreciated until the beginning of the 20th century. He dedicated his writing to "the Happy Few." This is often interpreted as a dedication to the few who could understand his writing, or as a sardonic reference to the happy few who are born into prosperity (the latter interpretation is supported by the likely source of the quotation, Canto 11 of Byron's Don Juan, a frequent reference in the novel, which refers to "the thousand happy few" who enjoy high society), or as a reference to those who lived without fear or hatred. It may also refer, given Stendhal's experience of the Napoleonic wars, to the "we few, we happy few, we band of brothers" line of Shakespeare's Henry V.Today, Stendhal's works attract attention for their irony and psychological and historical dimensions. Stendhal was an avid fan of music, particularly the works of the composers Cimarosa, Mozart and Rossini. He wrote a biography about Rossini, Vie de Rossini (1824), now more valued for its wide-ranging musical criticism than for its historical content.NovelsArmance (1827) Le Rouge et le Noir (variously translated as Scarlet and Black, Red and Black, The Red and the Black, 1830) Lucien Leuwen (1835, unfinished, published 1894) La Chartreuse de Parme (1839) (The Charterhouse of Parma) Lamiel (1839–1842, unfinished, published 1889) NovellasThe Pink and the Green (1837, unfinished) Mina de Vanghel (1830, later published in La Revue des Deux Mondes) Vittoria Accoramboni Italian Chroniques, 1837–1839 The Cenci (Les Cenci) The Duchess of Palliano (La Duchesse de Palliano) The Abbess of Castro (L'Abbesse de Castro, 1832) Vanina Vanini BiographyA Life of Napoleon (1817–1818, published 1929) AutobiographyStendhal's brief memoir, Souvenirs d'Égotisme (Memoirs of an Egotist) was published posthumously in 1892. Also published was a more extended autobiographical work, thinly disguised as the Life of Henry Brulard.The Life of Henry Brulard (1835–1836, published 1890) Souvenirs d'Égotisme (Memoirs of an Egotist, published in 1892) Journal (1801–1817) (The Private Diaries of Stendhal) Non-fictionDe L'Amour (1822) (On Love) His other works include short stories, journalism, travel books (among them Rome, Naples et Florence and Promenades dans Rome), a famous collection of essays on Italian painting, critical essays on Racine and Shakespeare, and biographies of several prominent figures of his time, including Napoleon, Haydn, Mozart, Rossini and Metastasio.