老人与海英文评论

《老人与海》却是一本能让人了解，什么才是真正的人生，什么才是坚强的'书，一本实实在在的好书。下面给大家分享老人与海英文读后感，希望大家喜欢！

The Old Man And The Sea This is a great book, mind you. How I gave opinions to that is the spirits of Santiago greatly affected me. But the author, Earnest Hemingway said if his writing is really good, then the characters can also be many other things.

Santiago is a common fisherman, and he hadn't had a fish for 84 days. And this time when he left he fished a big salmon by himself. He fought the fish for 3 days and nights and finally he kills it. He called it his 'brother'. But he then had to fight the sharks and finally he gone home with a fish spine, and some fish bones.

I could find his great spirits of never giving up. Particularly if he just loose the grip of the fishing poleand let the fish go, he wouldn't have any trouble, but he can stay to the end.

Something I regret to tell you is that I didn't read this book very carefully, so I intend to tell you I want to read this book again and tell you what I've gained through the second—time reading.

This year summer vacation, I read the American well-known writer Hemingway's novel " old person and sea ". I extremely admire in the novel the senior fisherman's will, he let me understand one person certainly must have relentless spirit, only then could obtain successfully.

The novel description is one year near sixty years of age senior fisherman, when alone goes to sea in one fishing, fished one big fish, actually did not pull. The senior fisherman socialized several days after the fish, only then discovered this was the big marlin which one surpassed the oneself fishing boat several fold, although knew perfectly well very difficult to win, but still did not give up. Afterwards and further because in the big marlin wound fish fishy smell brought in several crowds of shark fish snatches the food, but the old person still did not hope like this to give up, finally highlighted encircles tightly, returned to the big fish belt the fishing port, lets other fishermen not admire already.

When I read " the senior fisherman think: Here to the seacoast really was too near, perhaps could have a bigger fish in a farther place... " When, I extremely admire this senior fisherman, because he by now already projected on some fish, but he had not settled to the present situation, but was approaches the bigger goal advance. Again has a look us, usually meets one slightly is difficult, we all complain incessantly. We will be the motherland future, will be supposed to like this old person same mind lofty aspiration, will even better pursue even better, the bigger goal.

When I read " the big marlin start fast to gather round the young fishing boat hover, twined the cable on the mast, the old person right hand lifted up high the steel fork, leapt the water surface in it the flash, did utmost throws to its heart, one wail ended the big fish's life, it was static static floats on the water surface... " When, my heart also liked together the big stone falls. I extremely admire old person that kind do not dread, the relentless spirit, although knows the match strength is very strong, but he not slightly flinches, but is welcomes difficultly above. Just because had this kind of spirit, the senior fisherman only then achieved this life and death contest success. We also must study senior fisherman's spirit in life, handles the matter does not fear the difficulty, only then can obtain successfully.

The Old Man and the Sea was written by an American writer named Ernest Hemingway. It has been translated into tens of languages, and the writer was so proud of his work.

Santiago, the hero of the story, had gone eighty-four days without taking a fish back. At first, a boy named Manolion had been with him, but Santiago couldn’t catch even one fish. The boy had gone at his parents’ orders in a lucky boat which caught three good fish the first week, and the couple thought that it was definitely and finally bad to let their boy stay with the old fisherman. On Santiago’s eighty-fifth day of fishing, he went out alone, leaving the smell of the land behind and rowing out into the clean early morning smell of ocean. To his surprise, he caught a tuna which he had never seen before and it was hard to believe that the tuna was bigger than his boat. Later, the blood from the tuna left a trail for all sharks as wide as a highway, so fighting against sharks was unavoidable. The result was that sharks ate up all the meat of the tuna and Santiago only brought the tuna skeleton back. He was so tired that he slept deeply as soon as he got home, dreaming of lions.

In this story, Santiago was an old and poor widow though he was good at fishing and had so much valuable experience. He only lived on fishing all his life. At long last, he just brought the skeleton back, you may think such a fisherman should be a loser, but this result didn’t mean failing. On the contrary, Hemingway used the skeleton which was the pillar of spirit to strengthen the meaning of the old man’s life. Santiago was described as a perfect person who never gave up.

The boy named Manolion appeared in the beginning and at the end. Even during Santiago’s voyage, he always came to the poor old man’s mind. He was the only person who cared Santiago sincerely, trust Santiago absolutely, and the young boy wanted to be an inheritor of Santiago’s career. Hemingway not only told us the experience of fishing should be spread from generation to generation, but also expected us to admire, to learn from and to carry on the spirit of Santiago. The appearance of Manilion was not by chance, which was arranged by Hemingway. During Santiago’s long voyage, how much he wished the boy could have been with him to drive his loneliness away. Youth is the symbol of energy and hope. Even an old man can be young inside. Lions appeared several times in Santiago’s dreams for they were living in his heart, which showed the spirit of Santiago would never be low.

The coming of the sharks could not be avoided. They can be thought as attack which can swallow your success and happiness. The story tells me to face the problems happened in my life with a heart as wide as ocean. Though the old man was lonely, he was a traveler who walked on the road of realizing his ideals. But he was not alone at the moment, for his will was so firm. The Old Man and the Sea has won the Nobel Prize at last, which is a comfort to the writer.

Santiago, an old man about sixty years old, fished alone with nothing caught in eighty four days. No one would like to talk to him for his extremely bad luck except a boy who always came to help after the day and finally left to another boat under the pressure of his parents. Ignoring the contempt from the younger fishermen and sympathy from the older, on the morning of the 85th day, the old man started his fishing with determination and rowed his old boat very far in the sea where he believed there would be big fish. Fortunately the old man met with a big fish as he had wished and finally defeated the big Marlin with two days and nights struggle after overcoming great difficulties. But more unfortunately there were many sharks coming after his boat attracted by the smell of the blood of the big Marlin. After death-and-life struggle, when he finally got rid of the sharks coming after the boat, the big Marlin was bare skeleton.

The Old Man and the Sea tells a frustrated experience of the old man who fishes alone in the sea in plain languages. Through the simple lines, a “tough guy” image is shaped and heroism is praised. The whole story starts with a peaceful beginning which is some trivial of life and talking with the boy, and suddenly turns to its climax which is the dangerous fighting with the big fish and sharks alone in the sea, and ends with the old man’s return with the bare skeleton of the big Marlin. Though the boy only appears at the beginning and the ending in the novel, he plays an indispensible role, it is his inspiring and supporting that helps the old man to be “graceful under heavy pressure”.

In the book, the old man prepared his fishing properly and preciously than any other fishermen so that “Then when luck comes you are ready” as the old man thought to himself. In reality, some of us keep complaining that they are born in wrong time or good luck never knocks their doors. In fact, good luck sometimes just comes when they are not ready. Taking Newton for example, if he had not acquired a lot, millions of apples could never make him discovery the gravity. So if we just keep studying as much as we can, good luck will finally find us and a bright future is ahead of us. The old man never gives up hope. When all of people think he is doomed, he still strongly believes that he will get a big fish. And he does. So never giving up hope is very important to us. This reminded me of the sentence in Churchill’s speech “Never give up, never, never, never…”. “But man is not made for defeat. A man can be destroyed but not defeated” has always been inspiring me when I counter with some setbacks in my life. Setbacks are inevitable in pursuit of our goals, but we should never be frustrated and should be “graceful under heavy pressure” like the old man. It is his relentless pursuit that contributes to the victory.

背景和评价 都在这Background and publicationMost people maintain that the years following Hemingway's publication of For Whom the Bell Tolls in 1940 until 1952 were the bleakest in his literary career. The novel Across the River and Into the Trees (1950) was almost unanimously disparaged by critics as self-parody. Evidently his participation as an Allied correspondent in World War II did not yield fruits equivalent to those wrought of his experiences in World War I (A Farewell to Arms, 1929) or the Spanish Civil War (For Whom the Bell Tolls).Hemingway had initially planned to use Santiago's story, which became The Old Man and the Sea, as part of a random intimacy between mother and son and also the fact of relationships that cover most of the book relate to the Bible, which he referred to as "The Sea Book." (He also referred to the Bible as the "Sea of Knowledge" and other such things.) Some aspects of it did appear in the posthumously published Islands in the Stream. Positive feedback he received for On the Blue Water (Esquire, April 1936) led him to rewrite it as an independent work. The book is a novella because it has no chapters or parts and is slightly longer than a short story.The novella first appeared, in its 26,500-word entirety, as part of the September 1, 1952 edition of Life magazine. 5.3 million copies of that issue were sold within two days. The majority of concurrent criticism was positive, although some dissenting criticism has since emerged. The title was misprinted on the cover of an early edition as The Old Men and the Sea.Literary significance and criticismThe Old Man and the Sea served to reinvigorate Hemingway's literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers' confidence in Hemingway's capability as an author. Its publisher, Scribner's, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as William Faulkner's "The Bear" and Herman Melville's Moby-Dick.Following such acclaim, however, a school of critics emerged that interpreted the novella as a disappointing minor work. For example, critic Philip Young provided an admiring review in 1952, just following The Old Man and the Sea's publication, in which he stated that it was the book "in which Hemingway said the finest single thing he ever had to say as well as he could ever hope to say it." However, in 1966, Young claimed that the "failed novel" too often "went way out." These self-contradictory views show that critical reaction ranged from adoration of the book's mythical, pseudo-religious intonations to flippant dismissal as pure fakery. The latter is founded in the notion that Hemingway, once a devoted student of realism, failed in his depiction of Santiago as a supernatural, clairvoyant impossibility.Joseph Waldmeir's essay entitled "Confiteor Hominem: Ernest Hemingway's Religion of Man" is one of the most famed favorable critical readings of the novella—and one which has defined analytical considerations since. Perhaps the most memorable claim therein is Waldmeir's answer to the rhetorical question,Just what is the book's message? The answer assumes a third level on which The Old Man and the Sea must be read—as a sort of allegorical commentary on all his previous work, by means of which it may be established that the religious overtones of The Old Man and the Sea are not peculiar to that book among Hemingway's works, and that Hemingway has finally taken the decisive step in elevating what might be called his philosophy of Manhood to the level of a religion. As of 2006, the current cover for the Charles Scribner's Sons edition of the novellaWaldmeir was one of the most prominent critics to wholly consider the function of the novella's Christian imagery, made most evident through Santiago's blatant reference to the crucifixion following his sighting of the sharks that reads:Ay, he said aloud. There is no translation for this word and perhaps it is just a noise such as a man might make, involuntarily, feeling the nail go through his hands and into the wood.Waldmeir's analysis of this line, supplemented with other instances of similar symbolism, caused him to claim that The Old Man and the Sea was a seminal work in raising Hemingway's "philosophy of Manhood" to a religious level.This hallmark criticism stands as one of the most durable, positive treatments of the novella.On the other hand, one of the most outspoken critics of The Old Man and the Sea is Robert P. Weeks. His 1962 piece "Fakery in The Old Man and the Sea" presents his claim that the novella is a weak and unexpected divergence from the typical, realistic Hemingway (referring to the rest of Hemingway's body of work as "earlier glories"). In juxtaposing this novella against Hemingway's previous works, Weeks explains thatThe difference, however, in the effectiveness with which Hemingway employs this characteristic device in his best work and in The Old Man and the Sea is illuminating. The work of fiction in which Hemingway devoted the most attention to natural objects, The Old Man and the Sea, is pieced out with an extraordinary quantity of fakery, extraordinary because one would expect to find no inexactness, no romanticizing of natural objects in a writer who loathed W.H. Hudson, could not read Thoreau, deplored Melville's rhetoric in Moby Dick, and who was himself criticized by other writers, notably Faulkner, for his devotion to the facts and his unwillingness to "invent."