乡愁英文版朗诵

home sick

When I was young, Nostalgia was a tiny stamp, Me on this side, Mother on the other side.小时候 乡愁是一枚小小的邮票 我在这头 母亲在那头When I grew up, Nostalgia was a narrow boat ticket, Me on this side, Bride on the other side.长大后 乡愁是一张窄窄的船票 我在这头 新娘在那头But later on, Nostalgia was a low, low grave, Me on the outside, Mother on the inside.后来啊 乡愁是一方矮矮的坟墓 我在外头 母亲在里头And at present, Nostalgia becomes a shallow strait, Me on this side, Mainland on the other side.而现在 乡愁是一湾浅浅的海峡 我在这头 大陆在那头

When I was a child, Nostalgia seemed a small stamp: "Here am I And there ……my mother." Then I was a grown-up, Nostalgia became a traveling ticket: "Here am I And there……my bride." During the later years, Nostalgia turned to be a graveyard: "Here am I And yonder……my mother." And now at present, Nostalgia looms large to be a channel: "Here am I And yonder……my Continent!"

Nostalgia -----by 余光中 When I was a child, Nostalgia seemed a small stamp: "Here am I And there ……my mother." Then I was a grown-up, Nostalgia became a traveling ticket: "Here am I And there……my bride." During the later years, Nostalgia turned to be a graveyard: "Here am I And yonder……my mother." And now at present, Nostalgia looms large to be a channel: "Here am I And yonder……my Continent

Nostalgia

乡愁 ——余光中

When I was young, Nostalgia was a tiny stamp, Me on this side, Mother on the other side.

小时候 乡愁是一枚小小的邮票 我在这头 母亲在那头

When I grew up, Nostalgia was a narrow boat ticket, Me on this side, Bride on the other side.

长大后 乡愁是一张窄窄的船票 我在这头 新娘在那头

But later on, Nostalgia was a low, low grave, Me on the outside, Mother on the inside.

后来啊 乡愁是一方矮矮的坟墓 我在外头 母亲在里头

And at present, Nostalgia becomes a shallow strait, Me on this side, Mainland on the other side.

而现在 乡愁是一湾浅浅的海峡 我在这头 大陆在那头

扩展资料：

《乡愁》赏析

在意象的撷取和提炼上，这首诗具有单纯而丰富之美。乡愁，本来是大家所普遍体验却难以捕捉的情绪，如果找不到与之对应的独特的美的意象来表现，那将不是流于一般化的平庸，就是堕入抽象化的空泛。《乡愁》从广远的时空中提炼了四个意象：邮票、船票、坟墓、海峡。

它们是单纯的，所谓单纯，绝不是简单，而是明朗、集中、强烈，没有旁逸斜出意多文乱的芜蔓之感；它们又是丰富的，所谓丰富，也绝不是堆砌，而是含蓄。有张力，能诱发读者多方面的联想。在意象的组合方面，《乡愁》以时间的发展来综合意象，可称为意象递进。“小时候”、“长大后”、“后来呵”、“而现在”，这种表时间的时序像一条红线贯串全诗，概括了诗人漫长的生活历程和对祖国的绵绵怀念，前面三节诗如同汹涌而进的波涛，到最后轰然而汇成了全诗的九级浪。

《乡愁》的形式美也令人瞩目。它的形式美一表现为结构美，一表现为音乐美。《乡愁》在结构上呈现出寓变化于传统的美。统一，就是相对地均衡、匀称；段式、句式比较整齐，段与段、句与句之间又比较和谐对称。变化，就是避免统一走向极端，而追逐那种活泼、流动而生机蓬勃之美。

《乡愁》共四节。每节四行，节与节之间相当均衡对称，但是，诗人注意了长句与短句的变化调节，从而使诗的外形整齐中有参差之美。

《乡愁》的音乐美，主要表现在回旋往复、一唱三叹的美的旋律，其中的“乡愁是--”与“在这头……在那（里）头”的四次重复，加之四段中“小小的”、“窄窄的”、“矮矮的”、“浅浅的”在同一位置上的重叠词运用，使得全诗低回掩抑，如怨如诉。而“一枚”、“一张”、“一方”、“一湾”的数量词的运用，不仅表现了诗人的语言的功力，也加强了全诗的音韵之美。

分类: 外语/出国 问题描述: 急呀！~~~~~~好心人告诉我的拉 解析: Homesickness -- by Yu Guangzhong In my childhood, Homesickness was a *** all stamp. I was here. And my mother was over there: When I grew up, Homesickness was a narrow ship-ticket. I was here And my bride was over there: And then Homesickness was a *** all tomb. With me outside And my mother inside: But now, Homesickness is a shallow strait. I am on this side. And the mainland is on the other side