shrek电影英文版

Near a bubbly soupy swamp in a forest of strange creatures, lives the ogre Shrek (voiced by Mike Meyers of Saturday Night Live and Austin Powers fame). Feared and hunted by townspeople (all "normal" humans), the large ugly green being with horns for ears has grown accustomed to his solitary life... until the day when ruler of the land, Lord Farquaad (voiced by John Lithgow), decides to administer an ethnic cleansing of sorts. Rounding up the strange fairy tale characters living amongst the people, he orders them to reside in a designated area--Shrek's peaceful swamp.Amongst the throng of things like a wooden doll with a growing nose and an old woman with scads of children living in a shoe, is a wisecracking non-stop talking donkey (voiced by Eddie Murphy) who anxiously wants to accompany Shrek to Farquaad's castle and assist in convincing the ruler to let the creatures roam freely again. Reluctantly, Shrek agrees to take Donkey (as he is simply named) to see the prince. But Farquaad will only agree to restore the swamp to its original splendor if the twosome can deliver Princess Fiona (voiced by Cameron Diaz), who is imprisoned by a dragon in a far away castle. With purpose and haste, Shrek sets off on his quest with Donkey in tow.This hybrid fairy tale contains enough irreverent humor to keep audiences--and parents--upright in their seats. Shrek is the type of guy who enjoys blowing flatulent bubbles in his swamp water, and Donkey--not surprisingly--resembles Eddie Murphy after he's been fitted with a crude humor muzzle. Then there's the princess. Let's just say she's not quite what you'd expect either.Shrek does have its laughable moments, and strengthens its theme of racial tolerance in a humorous way. Yet the bathroom humor, double entendre sexual jokes (hopefully vague enough to pass by young children), occasional cartoon style violence, and handful of mild profanities (including a synonym for "donkey"), may leave some parents wondering if the good makes up for the bad and the ugly in this movie.

"Shrek" is an instant animated classic. Rudely sending up even the most beloved fairy tale traditions while at the same time effectively embodying them, this spirited and often very funny lark accomplishes something that most films in the bygone Hollywood studio era used to do but is remarkably rare in today's world of niche markets: It offers entertainment equally to viewers from 4 to 104. This story of an ogre's odyssey from contented oblivion to unexpected love will make out like a Prince Charming wherever it plays, repping a bonanza for DreamWorks theatrically and forever after in home-viewing markets. Playing equally effectively as a lively romp for kids and an enormously clever comedy for adults, "Shrek" is both simple and sophisticated, hip without being smug or condescending. It's also a film for animation fans to cherish as well as one that non-enthusiasts can enjoy. On May 12, pic will become just the fifth animated film to be shown in competition at the Cannes Film Festival, after the late '40s-early '50s Disney features "Make Mine Music," "Dumbo" and "Peter Pan," and the 1973 French production "La Planete Sauvage" (Fantastic Planet). Shaking the narrative and stylistic cobwebs from the form, standing every fairy tale convention on its head and landing some excellent shots at Disney for good measure, the picture scores on every front: The writing is smart, the vocal performances are game, and the relatively lifelike look is stunningly realized, making for the best-looking computer animated feature to date. Screenplay by the team of Ted Elliott and Terry Rossio ("Aladdin," "The Mark of Zorro"), Joe Stillman ("Beavis & Butt-head Do America") and Roger S.H. Schulman ("Balto") is based on a short 1990 illustrated children's book by William Steig that chronicled in very simple terms a horrible ogre's journey to a castle where he wins the hand of an equally ugly princess. There was nothing more to it than that, so it's a conservative estimate to venture that at least 95% of the inspiration for what's onscreen came from the scriptwriters, who have let their imaginations go in coming up with characters, subplots, relationships, gags, intrigues and flights of fancy that have no seeds in the book.First major sign of the extensive effrontery to come is the decision of the pint-sized bigwig Lord Farquaad (voiced by John Lithgow) to round up all the familiar fairy tale characters and banish them to the squalid swamp land where lives the area's conspicuous outcast, Shrek (Mike Myers). A singularly unappealing, rotund fellow with green skin and the foulest breath, Shrek takes pleasure in his solitary ways and much resents the intrusion of such "squatters" as the Three Blind Mice, Pinocchio, the Three Bears, the Seven Dwarfs, the Big Bad Wolf and many others. For his part, the vain and imperious Farquaad wants to trade in all his famous minions (who formerly resided in a hilariously designed Disneylike castle complete with roped queue spaces, turnstiles and souvenir shops) for a single princess, marriage to whom will finally make him a king. To this end, Farquaad has retained the "Snow White" Magic Mirror, which offers him, in TV gameshow style, three very appetizing candidates to choose from: Cinderella, Snow White or "Bachelorette #3," a certain Princess Fiona. After the mighty ogre and his buddy Donkey (Eddie Murphy) defeat Lord Farquaad's favorites in a tournament (using a tag team wrestling style that kids will love), Farquaad agrees to move the fairy talers off Shrek's land if the latter will be his knight and bring Princess Fiona down from her distant tower to become his queen. Reluctantly, Shrek agrees, launching a journey that leads him and Donkey to a scary castle surrounded by a lava-filled moat, guarded by a fire-breathing dragon and festooned with the skeletons of every knight who has previously attempted to snatch Fiona from her seclusion. None of these threats phases the insouciant Shrek, but he meets unexpected resistance from Fiona herself (Cameron Diaz), a beautiful, feisty young lady who has definite ideas about what her knight in shining armor ought to be like. "I'm supposed to be rescued by my true love, not an ogre," she objects as Shrek attempts to lead her from captivity. Meanwhile, fearful but sassy Donkey has come in for quite a surprise, finding to his dismay that the enormous dragon has quickly developed lustful feelings for him. Escaping in exciting fashion from the castle, the new threesome head back for Lord Farquaad's domain. Fiona, who not only sounds but looks amazingly like Cameron Diaz, continues to show her bossy, opinionated colors. But Shrek, to his astonishment, begins falling in love with her. It's as impossible a match as Donkey and the dragon, quite out of the question until Donkey makes a late discovery that reveals that Fiona may have more in common with Shrek than immediately meets the eye. Dramatic climax, involving a huge wedding ceremony between Farquaad and Fiona that is interrupted, "The Graduate"-style, by Shrek, is capped by an enormously satisfying final twist. Fine jokes and reversals of expectations fill the journey homeward, where the film most clearly reveals its charming small debts to such timeless classics as "Don Quixote," "The Wizard of Oz" and "Beauty and the Beast," among others. One of the funniest bits has Princess Fiona singing a Disney-style duet with a bluebird, until the chirping creature suddenly explodes when Fiona hits a piercing high note. Only false note in the entire picture comes when Fiona, accosted by a strangely French-accented "Monsieur" Robin Hood, makes some "Matrix"/"Crouching Tiger"-type martial arts moves; bit feels like a sop to tastes of the moment and is the element that will first appear to date the film in years to come. Visually, "Shrek" is a constant dazzlement, the images all but leaping off the screen. Against the brilliantly designed, exceptionally vivid backgrounds, the characters, human and animal alike, appear realistic and highly expressive without being photographically so; the fine line between naturalism and stylization has been unerringly walked by the large team working under first-time directors Andrew Adamson (a veteran visual effects supervisor) and Vicky Jenson (an art director and storyboard artist). Endowing Shrek with a mild Irish brogue, Myers brings abundant drollery and vocal appeal to the physically repugnant title character, which implicitly lends weight to the underlying theme of beauty coming from the inside. Much as he did in his previous animated outing as Mushu the Dragon in "Mulan," Murphy provides Donkey with a jive-talking motor mouth; some of his riffs are genuinely amusing, but the routine threatens to become a bit much at times. Diaz's readings are energetic and willful, making Fiona a medieval "Charlie's Angels" candidate, and Lithgow makes the vertically shortchanged Farquaad imposing without undue melodrama.

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史莱克生活在平凡的世界中——他本身是一个其貌不扬的怪物，绿色的身体，古怪的脾气，不爱干净的懒散生活。这天他家里来了几个不速之客，他们告诉史莱克，自己来自一个残暴国王统治下的王国，现在已经无家可归了。而且，那个残暴的国王还掠夺了一个美丽非凡的公主，打算强占为妻。

你好！你要的电影《怪物史莱克1-4部》中英字幕高清版的资源已经发送到你的邮箱了！请注意查收下载！祝观片愉快！希望会对你有所帮助，有什么问题的话请及时追问！满意的话记得要采纳哟.....

如果需要的是字幕，到这里下载：选择SubRip格式的，中英文都有，解压后，可以用记事本打开。如果需要的是英文剧本，我的网络硬盘上有：在[Shrek]目录下。

怪物史莱克很久很久以前，有一个愤世嫉俗、苟不言笑的绿色 巨人怪物史莱克，一个人孤零零地住在遥远的沼泽里，有一天一大堆惹人厌的童话故事人物突然打乱他平静的生活，他吃的食物有瞎了眼的小老鼠，床上躺了一只大野狼，家里来了三只房子被吹倒的小猪仔，这些童话人物通通都是被邪恶的法克大人给赶来。 他为了拯救这些童话人物，还有他自己的家，于是就和法克大人谈了一个条件，他必须把美丽的费欧娜公主救出来，嫁给法克大人，他在路上找到一个讲起话来喋喋不休、口若悬河的驴子，他什么都肯为史莱克做，就是不肯乖乖闭嘴。但是当他发现美丽的公主竟然深藏了一个可怕的秘密，事情就变得更复杂了怪物史莱克2影片继续上一集的故事，怪物史莱克(迈克?梅尔斯 配音)和驴子唐基(艾迪?墨菲配音)在冒险后，他们先从喷火龙和暴军手中救出了奥菲娜公主(卡梅隆?迪亚兹配音)，史莱克也有幸成为了她的丈夫。在他们度完蜜月之后，来自“遥远国”的钦差来到他们居住的沼泽地。原来，奥菲娜公主的父母、“遥远国”的国王和王后邀请女儿女婿回国，他们要见见久别的女儿和还末谋面的女婿。 史莱克和奥菲娜公主收拾行李，坐上沼泽那些精灵怪物们为他们准备的马车，带上驴子赶往遥远国了。遥远国的公民列队欢迎公主和驸马归来时，他们吹着喇叭敲着锣鼓，热闹喧天。可是，他们怎么也没想到，从马车上下来的却是——两只怪物。 遥远国的人们看着一个大怪物跳下马车，而他们的公主也变成了妖怪模样，刹时间又惊又吓呆在那了。心疼女儿的国王和王后，看着妖怪样的女儿，再看看那个大怪物女婿，不知如何是好。对于他们来说，灾难只是刚刚开始，怪物女儿和女婿的到来，给他们带来惊吓之余也感觉到自己的生命也受到了威胁。 公主从前的仙女教母(詹尼弗?桑德斯 配音)，很早前就曾叫自己的儿子“魅力王子”(鲁帕特?艾弗瑞克配音)去城堡里屠龙救美，可惜让史莱克抢先了一步。她觉得公主变丑全是因为怪物史莱克搞怪。为了抢回她想要的儿媳，她警告国王这对怪物的到来，将会给他的国家带来更可怕的灾难。国王无法，只得同意了仙女教母去寻找怪物猎人，对付那只大怪物。 仙女教母来到童话世界的恶人谷“毒苹果酒吧”，打听能除掉怪物的人，有人告诉她，一只穿靴子的猫是有名的怪物猎手。于是，这只猫(安东尼奥?班德拉斯 配音)跟着仙女教母来到了遥远国，它要使出自己的佐罗剑术，与史莱克大打出手，却没料到自己反被这只大怪物弄得……梦工厂的《史莱克I》以故事主人公丑陋的相貌、举止古怪的形象、和4.8亿美元的全球票房彻底颠覆了以迪斯尼为代表的传统动画里完美的人物形象。那一年，《史莱克I》名利双收，还拿下第74届奥斯卡最佳动画长片奖。有的人预言那是一次动画片的革命，也有的人说那是一次“恶搞”，最近还听说有人对《史莱克II》入选嘎纳竞赛单元表示质疑，认为它太“轻”。无论怎样，《史莱克》系列的大获成功打破了以往动画英雄人物的完美形象，敢于告诉人们：英雄同样有血有肉有缺点。《史莱克》实际上就是在传统理想与既定现实中挖掘和创作笑料。它的成功秘诀之一叫做“真实”。《怪物史莱克》第一集在2001年上映时，全球票房达到4亿5500万美元，并获得奥斯卡金像的第一座最佳动画长片奖。梦工厂决心趁胜追击，开拍令人期待的《怪物史莱克 2》，于是更精彩的故事内容，更多爆笑的桥段和更有趣的人物登场了。导演安德鲁·亚当森表示：“当我们拍完第一集，几乎把传统的童话故事颠覆到了极限，后来发现婚后的生活才是更棒的搞笑题材。”这次变本加厉的添油加醋，梦工厂将更多家喻户晓的童话故事甚至著名电影、建筑都拿来大作文章。最典型的就属“遥远国”，它完全就是贝佛利山庄的动画版。