复古风潮英文

来自街边的—— Hip-Hop为了避免一头雾水，首先要搞清楚两个概念：Rap和Hip-Hop.Rap仅仅是一种音乐形式，它是由歌手在节奏的基础上进行有韵律的语言陈述；而Hip-Hop首先是一种文化形态，它除了包含音乐之外，还是DJ、涂鸦艺术、舞蹈等方面的综合体。Hip-Hop音乐是在Rap的基础上有伸延加入了打碟、伴唱及其他一些音乐元素所形成的风格。 Hip-Hop文化的形成最初是来自纽约市社会底层的工人阶级。七十年代，纽约的贫富差距逐渐拉大，而Hip-Hop发自平民阶层的文化，其实正是中下层人民生活的缩写。 Hip-Hop文化的精髓其实就是它的“贫穷”。Hip-Hop群体中占比重最大的就是黑人，因此也称Hip-Hop文化为黑人文化。原本是因为穷才穿的大好衣着，却因Hip-Hop音乐的流行而演变成流行音乐中极为经典的特大号齐膝马裤、大T恤、高筒球靴打扮。Rap说唱黑人俚语，相当于“谈话”(talking)，产自纽约贫困黑人聚居区。它以在机械的节奏声的背景下，快速的诉说一连串押韵的诗句为特征。这种形式来源之一是过去电台节目主持人在介绍唱片时所用的一种快速的、押韵的行话性的语言。Rap的歌词幽默、风趣，常带讽刺性，80年代尤其受到黑人的欢迎。最有代表性的乐队是“公开的敌人”（public enemy）。莱普有时也称“希普－霍普”（hip－hop）。实际上，希普－霍普的含义更宽，泛指当时纽约街头文化的各种成分，除莱普外，还有：（莱普经常采用的）用手把放在唱机转盘上的唱片前后移动，发出有节奏的刮擦声；唱片播放员（dj）在转换唱片拼接唱片音乐片断时，听不出中断痕迹的技法；霹雳舞等等。代表人物：EMINEM 本名Marshall Bruce Mathers III的EMINEM现在已经红得发紫，并被誉为最成功的白人说唱歌手。 代表作：《Lose Yourself 》R&BR&B（Rhythm and Blues）B.P.M约在80～100拍，中文翻译成：“节奏布鲁斯或节奏蓝调”，它原是一种黑人的流行音乐，这种音乐类型创始于20世纪四十年代。顾名思义，就是在蓝调曲风中加入舞蹈节奏，许多后期流行音乐类型都源自于R&B。最早R&B是Blues和Jazz的混合体，是从慢舞转向节奏舞蹈的雏形音乐。R&B体现了显著的节奏或节拍，另外它的旋律也交代的很清晰，往往听罢给人留下深刻印象。由于人们优越的物质生活条件的及复古风潮的影响；目前R&B已成为乐坛宠儿，当然现代的R&B又混入了别的音乐元素。中国代表人物:周杰伦

紧身上衣一直是性感的代表单品，款式从高领再到露肩，都是女生为了凸显身材曲线的利器，但对于平胸女生来说，紧身上衣其实也可以穿出潮酷跟可爱，今天为带来两套穿搭，将紧身上衣玩出不同的风格～

Hip HopHip hop music is a style of popular music. It is composed of two main components: rapping (MC'ing) and DJing (audio mixing and scratching); along with breakdancing and graffiti (tagging), these are the four elements of hip hop, a cultural movement which began among African Americans and Puerto Ricans in New York City in the early 1970s. The terms rap and rap music are often used to describe hip hop music; the terms rap music and hip hop music are generally synonymous, although rap music is usually not used to describe hip hop songs without vocals. Many hip hop heads, as participants of the culture are called, arbitrarily separate the two terms by labeling the more commercial recordings as rap music, and the more underground-based recordings as hip hop music. Hip hop music is also erroneously used at times to describe related genres of music, such as contemporary R&B, which are primarily sung; while singing is commonly present in hip-hop songs, the main vocal (assuming there are vocals) is almost always rapped.Most typically, hip hop consists of one or more rappers who chant semi-autobiographic tales, often relating to a fictionalized counterpart, in an intensely rhythmic lyrical form, making abundant use of techniques like assonance, alliteration, and rhyme. The rapper is accompanied by an instrumental track, usually referred to as a "beat" because of the emphasis on rhythm, performed by a DJ, a record producer, or one or more instrumentalists. This beat is often created using a sample of the percussion break of another song, usually a funk, rock, or soul recording. In addition to the beat, other sounds are often sampled, synthesized, or performed. Sometimes, a track can be made up of just the beat by itself, as a showcase of the skills of the DJ or producer.Hip hop arose in New York City when DJs began isolating the percussion break from funk or disco songs. The role of the emcee (MC) arose to introduce the DJ and the music, and to keep the audience excited. The MCs began by speaking between songs, giving exhortations to dance, greetings to audience members, jokes and anecdotes. Eventually, this practice came to be more stylized, and was known as rapping. By 1979, hip hop had become a commercially recorded music genre, and began to enter the American mainstream. It also began its spread across the world. In the 1990s, a form called gangsta rap became a major part of American music, causing significant controversy over lyrics which were perceived as promoting violence, promiscuity, drug use and misogyny. Nevertheless, by the beginning of the 2000s, hip hop was a staple of popular music charts and was being performed in many styles across the world.CharacteristicsHip hop is a cultural movement, of which music is a part (as are graffiti and breakdancing). The music is itself composed of two parts, rapping, the delivery of swift, highly rhythmic and lyrical vocals, and DJing, the production of instrumentation either through sampling, instrumentation, turntablism or beatboxing. Another important factor of Hip-Hop music is the fashion that originated along with the music. The fashion was a representation of the music.Rhythmic structureBeats (though not necessarily raps) in hip hop are almost always in 4/4 time signature. At its rhythmic core, hip hop swings: instead of a straight 4/4 count (pop music; rock 'n' roll; etc.), hip hop is based on an anticipated feel somewhat similar to the "swing" emphasis found in jazz beats. Like the triplet emphasis in swing, hip hop's rhythm is subtle, rarely written as it sounds (4/4 basic; the drummer adds the hip hop interpretation) and is often played in an almost "late" or laid back way.This style was innovated predominantly in soul and funk music, where beats and thematic music were repeated for the duration of tracks. In the 1960s and 1970s, James Brown (known as The Godfather of Soul) talked, sung, and screamed much as MCs do today. This musical style provides the perfect platform for MCs to rhyme. Hip hop music generally caters to the MC for this reason, amplifying the importance of lyrical and delivering prowess.Instrumental hip hop is perhaps the lone exception to this rule. In this hip hop subgenre, DJs and producers are free to experiment with creating instrumental tracks. While they may mix in sampled rap vocals, they are not bound by the need to cater to an MC.Instrumentation & productionThe instrumentation of hip-hop is descended from disco, funk, and R&B, both in the sound systems and records sampled, and session musicians and their instrumentation, used. Disco and club DJs' use of mixing originated from the need to have continuous music and thus smooth transitions between tracks, while in hip hop Kool DJ Herc originated the practice of isolating and extending only the break, basically short percussion solo interludes, by mixing between two copies of the same record, as this was, according to Afrika Bambaataa the "certain part of the record that everybody waits for -- they just let their inner self go and get wild." (Toop, 1991) James Brown, Bob James, and Parliament -- among many others -- have long been popular sources for breaks. Over this one could and did add instrumental parts from other records, frequently as horn punches (ibid). Thus the instrumentation of early sampled or sound system-based hip hop is the same as funk, disco, or rock: vocals, guitar, keyboards, bass, drums and percussion.Although hip hop's original music consisted solely of the DJ's breakbeats and other vinyl record pieces, the advent of the drum machine allowed hip hop musicians to develop partially original scores. Drum set sounds could be played either over the music from vinyl records or by themselves. The importance of quality drum sequences became the most important focus of hip hop musicians because these rhythms (beats) were the most danceable part. Consequently, drum machines were equipped to produce strong kick sounds with powerful (sine) bass behind them. This helped emulate the very well-engineered drum solos on old funk, soul and rock albums from the late 1960s and early to mid 1970s. Drum machines had a limited array of predetermined sounds, including hi-hats, snares, toms, and kick drums.The introduction of the digital sampler changed the way hip hop was produced. A sampler can digitally record and save small sound clips from any output device, such as a turntable. Producers were able to sample their own drum sounds from the records they grew up listening to. Perhaps more importantly, they could sample horns, upright basses, guitars and pianos to play along with their drums. Hip hop had finally gathered its complete band.What many fail to recognize is the distinct importance of the gritty, choppy sound of hip hop. The music seldom sounds like other organic forms. Even hip hop crews that have their own band often use samples and the gritty, choppy texture of machines to create their beats in the studio as featured on their album (when performing live, they usually recreate this sound with a full band). One popular misconception is that samples and drum machines exist in hip hop music as merely a lazy substitute for a real band; in fact, hip hop producers obsess over the timbre, texture and frequency of specific samples and drum machine sounds. A session drummer playing James Brown's Funky Drummer break is no substitute for the sampled break from the original record. However, in recent years, there has been a tendency towards original instrumental compositions in hip hop from the likes of artists and producers such as Timbaland, OutKast, The Roots and The Neptunes.Roots of hip hop musicHip hop culture, including rapping, scratching, graffiti, and breakdancing, emerged from 1970s block parties in New York City, specifically The Bronx (Toop, 1991). In the 1930s more than a fifth of Harlem residents were from the West Indies, and the block parties of the 80's were closely similar to sound systems in Jamaica(Toop, 1991). These were large parties, originally outdoors, thrown by owners of loud and expensive stereo equipment, which they could share with the community or use to compete among themselves, who began speaking lyrics or toasting.Rap music emerged from block parties after ultra-competitive DJs isolated percussion breaks, those being the favorites among dancers, and MCs began speaking over the beats (Toop, 1991); in Jamaica, a similar musical style called dub developed from the same isolated and elongated percussion breaks. However, "most rappers will tell you that they either disliked reggae or were only vaguely aware of it in the early and middle '70s." (Toop, 1991)Lastly, most existing hip hop acts were shocked when King Tim III's throwback to radio DJs rhyming jive and the Sugarhill Gang's appropriation of rap on their remake, not sample, of Chic's "Good Times" were released, as most DJs and MCs knew each other and many had been attempting to record (Toop, 1991). Early rap records are a mix bag of quality material by party veterans and poorer material quickly produced for a profit.Lil Rodney Cee, of Funky Four Plus One More and Double Trouble, cites Cowboy, of Grandmaster Flash and the Furious Five, as, "the first MC that I know of...He was the first MC to talk about the DJ." (Toop, 1991)The historical conditions contributing to the origin of hip hopThe reasons for the rise of hip hop are complex. Perhaps most important was the low cost involved in getting started: the equipment was relatively inexpensive, and virtually anyone could MC along with the popular beats of the day. MCs could be creative, pairing nonsense rhymes and teasing friends and enemies alike in the style of Jamaican toasting at blues parties or playing the dozens in an exchange of wit. MCs would play at block parties, with no expectation of recording, thus making hip hop a form of folk music (as long as electronic music is not excluded from being folk). The skills necessary to create hip hop music were passed informally from musician to musician, rather than being taught in expensive music lessons.In Washington, D.C., go go also emerged as a reaction against disco, and eventually mixed with hip hop during the early 1980s, while electronic music did the same, developing as house music in Chicago and techno music in Detroit.Urban SocioeconomicsAlong with the low expense and the demise of other forms of popular music, social and political events further accelerated the rise of hip hop. In 1959, the Cross-Bronx Expressway was built through the heart of the Bronx, displacing many of the middle-class white communities and causing widespread unemployment among the remaining blacks as stores and factories fled the area. By the 1970s, poverty was rampant. When a 15,000+ apartment Co-op City was built at the northern edge of the Bronx in 1968, the last of the middle-class fled the area and the area's black and Latino gangs began to grow in power.Earlier styles that contributed to hip-hop musicWest African griots, wandering poets and "praise-singers" [Citation needed] spirituals and other forms of Christian music, as well as certain Protestant preachers' sermons [Citation needed] Voice instrumental, long-standing tradition in world music of many varieties and across peoples [Citation needed] scat singing, using the voice to imitate a musical instrument. [Citation needed] toasting, traditional African-American and Afro-Caribbean entertainment, long, rhymed tales of great heroes, Stagger Lee and Jack Johnson among others (see dub) [Citation needed] Dirty Dozens, stylized exchange of insults. [Citation needed] "Signifying Monkey", long series of rhymed tales in which the weaker monkey triumphs through tricks over the more powerful beasts of the jungle, a ruder version of the Brer Rabbit stories. [Citation needed] talking blues, popularized by Woody Guthrie, John Lee Hooker, and others, featuring rhyming talking with ironic asides to the audience. [Citation needed] Late 1960s and early 70s at least proto-rap poets such as Gil Scott-Heron and the Last Poets [Citation needed] jump rope and schoolyard rhymes[Citation needed], such as the following: One bright day in the middle of the night, Two dead boys got up to fight. Back to back they faced each other, drew their swords and shot each other. Jazz vocalese and pop/R&B Doo wop, using voices to imitate an entire band (dating back at least to the Mills Brothers).1970sHerc was one of the most popular DJs in early 70s New York, and he quickly switched from using reggae records to funk, rock and, later, disco, since the New York audience did not particularly like reggae. Because the percussive breaks were generally short, Herc and other DJs began extending them using an audio mixer and two records. Mixing and scratching techniques eventually developed along with the breaks. (The same techniques contributed to the popularization of remixes.) As in dub, performers began speaking while the music played; these were originally called MCs; Herc focused primarily on DJing, and began working with two MCs, Coke La Rock and Clark Kent—this was the first emcee crew, Kool Herc & the Herculoids. Originally, these early rappers focused on introducing themselves and others in the audience (the origin of the still common practice of "shouting out" on hip hop records). These early performers often emceed for hours at a time, with some improvisation and a simple four-count beat, along with a basic chorus to allow the performer to gather his thoughts (such as "one, two, three, y'all, to the beat, y'all"). Later, the MCs grew more varied in their vocal and rhythmic approach, incorporating brief rhymes, often with a sexual or scatological theme, in an effort at differentiating themselves and entertaining the audience. These early raps incorporated similar rhyming lyrics from African American culture (see roots of hip hop music), such as the dozens. While Kool Herc & the Herculoids were the first hip hoppers to gain major fame in New York, more emcee teams quickly sprouted up. Frequently, these were collaborations between former gang members, such as Afrika Bambaataa's Universal Zulu Nation (now a large, international organization). During the early 1970s, breakdancing arose during block parties, as b-boys and b-girls got in front of the audience to dance in a distinctive, frenetic style. The style was documented for release to a world wide audience for the first time in Beat Street.1980sThe 1980s saw intense diversification in hip hop, which developed into a more complex form. The simple tales of 1970s emcees were replaced by highly metaphoric lyrics rapping over complex, multi-layered beats. Some rappers even became mainstream pop performers, including Kurtis Blow, whose appearance in a Sprite commercial made him the first hip hop musician to be considered mainstream enough to represent a major product, but also the first to be accused by the hip-hop audience of selling out. Other popular performers among mainstream audiences included LL Cool J, Slick Rick, and DJ Jazzy Jeff and the Fresh Prince, who won hip hop's first Grammy Award in 1988.The techniques used in hip hop changed during the 1980s as well. Most important was the DJ records such as Grandmaster Flash's "Adventures on the Wheels of Steel" (known for pioneering use of scratching, which was invented by Grandwizard Theodore in 1977) as well as electronic recordings such as "Planet Rock" by Afrika Bambaataa and Run DMC's very basic, all electronic "Sucker MC's" and "Peter Piper" which contains genuine cutting by Run DMC member Jam Master Jay. Grandmaster Flash & the Furious Five released a "message rap", called "The Message", in 1982; this was one of the earliest examples of recorded hip hop with a socially aware tone. In 1984, Marley Marl accidentally caught a drum machine snare hit in the sampler; this innovation was vital in the development of electro and other later types of hip hop.A number of new hip hop styles and subgenres began appearing. Run-D.M.C.'s collaboration with hard rock band Aerosmith on "Walk This Way" was an early example of rock and hip hop fusions. Also, the mid-1980s saw the rise of the first major black female group, Salt-N-Pepa, who hit the charts with singles like "The Show Stoppa" in 1985. Ice-T's seminal "6n' Da Mornin'" (1986) is one of the first nationally successful West Coast hip hop singles, and is often said to be the beginning of gangsta hip hop (along with Schoolly D, LL Cool J and N.W.A.).In 1987, Public Enemy brought out their debut album (Yo! Bum Rush the Show) on Def Jam - one of hip hop's oldest and most important labels, and Boogie Down Productions followed up in 1988 with By All Means Necessary; both records pioneered wave of hard-edged politicized performers. The late 1980s saw a flourishing of like-minded rappers on both coasts, and Public Enemy's It Takes a Nation of Millions to Hold Us Back became surprisingly successful, despite its militant and confrontational tone, appearing on both the club and rap charts, and peaking at #17 and #11, respectively. Aside from the lyrical innovations, Public Enemy's Bomb Squad production team (along with Eric B. & Rakim and Prince Paul among others) pioneered new techniques in sampling that resulted in dense, multi-layered sonic collages.Hip hop was almost entirely unknown outside of the United States prior to the 1980s. During that decade, it began its spread to every inhabited continent and became a part of the music scene in dozens of countries. In the early part of the decade, breakdancing became the first aspect of hip hop culture to reach Germany, Japan and South Africa, where the crew Black Noise established the practice before beginning to rap later in the decade. Meanwhile, recorded hip hop was released in France (Dee Nasty's 1984 Paname City Rappin') and the Philippines (Dyords Javier's "Na Onseng Delight" and Vincent Dafalong's "Nunal"). In Puerto Rico, Vico C became the first Spanish language rapper, and his recorded work was the beginning of what became known as reggaeton.1990s and 2000sIn the 90s, gangsta rap became mainstream, beginning in about 1992, with the release of Dr. Dre's The Chronic. This album established a style called G Funk, which soon came to dominate West Coast hip hop. Though G Funk was the most popular variety of hip hop in the early 90s, New York's hip hop scene did not disappear, and remained an integral part of the industry, producing such well-regarded acts as The Wu-Tang Clan and Busta Rhymes. The reemergence of New York as a growing entity in mainstream hip-hop soon spawned an inevitable confrontation between the East Coast and West Coast and their respective major labels. This sales rivalry eventually turned into a personal rivalry, aided in part by the music media. Many reporters were not aware that MC battles were an integral part of hip hop since its inception, and that, generally, little was meant by open taunts on albums and in performances. Nevertheless, the East Coast-West Coast rivalry grew, unfortunately resulting in the still unsolved deaths of Tupac Shakur and Notorious B.I.G..Though mainstream and crossover acceptance has been almost entirely limited to gangsta rap or pop rap, isolated artists with a socially aware and positive or optimistic tone or a more avantgarde approach have achieved some success. They are usually referred to in mainstream musical circles as "alternative hip hop", i.e. not gangsta or pop rap; however, this is a somewhat misleading term given that for the first decade of hip hop's existence, before gangsta rap emerged and became the most commercially successful strand of the genre, the vast majority of music produced was generally positive and optimistic. Indeed, many artists often labeled "alternative rappers", su

怀旧总是让人断肠，纵然岁月再蹉跎，也能在不经意之间在心底泛起涟漪，这便是复古装修风格。近几年，复古返潮，时尚就是一场经典的轮回，没有终点，风靡全球的复古风再次袭来，一起来倾听复古风的复苏。复古风也可以很清新典雅，当然也可以让你感受到浓浓的怀旧气息，复古风典型的装修风格有工业风、新中式、中式、新古典，这些装修风格便是复古风的杰出代表，复古风有着明显的历史气息，感受着整个文化的传承，有着明确的个性与高端，又显得极其别致。复古怀旧风也十分推崇高贵优雅，往往采用深色系列来追求诗意的境界，深色调能展现出一种厚实感，庄重大方，在气质上给人深度的感染。复古的相框，复古的留声机作为装饰品呈现出整个居室空间的人文情怀，让人不经意之间也能记起以往的过去。

光学单位亮度单位之一：熙提（符号为sb）亮度的常用单位，为1cm^2面积上发出1CD时的亮度单位。。它等于1cm^2表面上，沿法线方向发出1cd的发光强度。亮度的另一单位为尼特（nt），很明显1sb=10000cd/mm^2（即1nt）。常见的一些物体亮度值如下：白炽灯灯丝 300~500sb荧光灯管表面 0.8~0.9sb太阳 20万sb无云蓝天（天空和太阳的角距离不同，其亮度也不同） 0.2~2.0sb亮度的英制单位为英尺朗伯（fl）。它表示在1ft²视看面积上发出1cd时的亮度。因1m㎡=10.76ft㎡，很显然：1fl=10.76cd/m㎡。编辑本段计算机名词1，Safe Browsing,即安全浏览技术。Google的Safe Browsing域名是。在百度中搜索sb,得到的第一个结果是指向的Google安全地址。2，SB-ADPCM即子带-自适应差分脉冲编码。它是将现有的带宽分成两个独立的子带信道分别采用差分脉码调制算法。子带压缩技术是以子带编码理论为基础的一种编码方法。其基本思想是将信号分解为若干子频带内的分量之和，然后对各子带分量根据其不同的分布特性采取不同的压缩策略以降低码率。3，SB同时还是StyleBuilder的缩写，StyleBuilder是创作和修改VS主题的基本工具软件，用户可以用它为自己的Windows XP量身定做外观界面，支持非英文XP系统。4，SB是Sound Blaster（声霸卡）的缩写，是目前PC声卡中较为高档的产品。使用EMU8000,EMU10K芯片5、主板芯片组之一--南桥芯片SB=South Bridge，一般在主板的PCI-E接口旁边，主要对IDE/SATA接口、USB接口、PCI接口等进行控制。是主机板上重要芯片之一。6.所罗门群岛国家及地区顶级域（ccTLD）的域名。7.sandboxie的缩写，是一种虚拟重定向的沙盘软件编辑本段化学元素元素符号： Sb 英文名： Antimony 中文名： 锑元素原子量： 121.8原子序数： 51元素类型： 金属密度 6.684克/立方厘米熔点 630.74℃。沸点 1750℃。原子体积：(立方厘米/摩尔) 18.23编辑本段体育术语SB在棒球里是偷垒（steal base）的意思SB在足球世界里有 Side Back的说法 边后卫在体育田径项目里:sb= season best (赛季最好成绩)SKATE BOARDING，也就是滑板运动SB球场 Standford Bridge Stadium斯坦福桥体育场斯坦福桥球场为英超球队切尔西的主场，它于1877 年建成，而切尔西球会在1905年开始使用这个球场。SB = Sports book 或 Sportsbook， 原意是‘体育博彩业’，book是bookmaking的意思。现今除了‘实体投注点’，还包括国外流行的‘网上体育投注站’或‘网上体育投注页面’。对于经营商来说，是一种‘产品’，类似其它性质的生意，是希望以此赚钱，但也和其它生意一样，存在风险，并非稳赢。SB也可以等于Sports broker 或 sports bookie，顾名思义，就是俗话所说的‘体育投注庄家’，可以指个人，也可以指一个公司组织，有时会被狭义的理解为‘操盘手’或‘开盘手’。正如前面所说，在国内，合法‘庄家’只有一个，就是国家，彩票性质决定了其根本上的不同意义，因此不能等于真正意义的‘庄家’。其它国家随法律不同有不一样的限制，比如英国是采用持牌经营，受国家相关部门监管，也有非官方的独立的第三方公平机构监管，配套的法律机制相对很完善。SB也可以简单的认为是Sports Betting，体育博彩。SB，法甲球队布雷斯特足球俱乐部的简称。（Stade Brestois 29，简称Stade Brest或更简单的Brest）编辑本段英语缩写1. sb 即英文somebody的缩写。词性为复合不定代词（同“something、anybody”一个词性。）意思为：某人、某个人。2，SB n. 检修报告(边带,联播,编包线,固体)3，sb-related：Friend的:忠实朋友的4.simple beauty(简单美)5.super boy(超级男孩)6.stupid bitch编辑本段服装品牌NIKES.BS.B 是NIKESKATEBOARDING的简称,包栝DUNK SB, ZOOM AIR FC, ZOOM AIR URL ,ZOOM AIR ANGUSE和ZOOM AIR E-QUE,DUNK是NIKE在80年代中期作为篮球鞋推出的，后随着球鞋的科技时代的来临慢慢的被人遗忘了，在90年代中后期在日本开始兴起复古风潮,AIR FORCE 1和DUNK成为两大热门鞋款，潮流的代表人物藤原浩、NIGO等人 纷纷穿着现身于各类媒体使复古成为潮流。只是经过了十余年当年的原版鞋已经很难找到，于是NIKE，JP开始复刻早期原年的鞋款。特别是在90年代末期复刻的一批只在裹原宿的潮流店内发售的DUNK将整个DUNK复古风潮推向高点，AF1和DUNK成为街头搭配的主力。2001年美国NIKE决定进军SKATEBOARDING邀请一些滑板界的风云人物共同设计新款滑鞋,最初的鞋款最后大家决定选用DUNK，在普通DUNK的基础上鞋形略为放宽内笼加厚改用厚舌并在鞋垫上加上ZOOM AIR,就成为了DUNK SB。哈哈：）上面啰啰嗦嗦写了一堆最简单的说法就是普通DUNK没有ZOOM AIR而DUNK SB有ZOOM AIR。后来有进一步开发了一系列新的鞋款既ZOOM AIR FC, ZOOM AIR URL ,ZOOM AIR ANGUSE和ZOOM AIR E-QUE,一般大家都喜欢称做NIKE SB系列。编辑本段药品名称SB (Sodium Bicarbonate Injection)碳酸氢钠注射液的简称编辑本段军事领域苏联SB系列轰炸机简介：1933年，苏联空军提出需要一种快速双发轰炸机。1934年1月由A.A.Arhangelsky和A.N.Tupolev主持开始设计。10月，两种原型机完成设计，即ANT40(1/2).差别在于，ANT-40-1使用“Wright Cyclone”星型气冷发动机，Ant-40-2使用“Hispano-suize”12缸液冷发动机。经过试飞,ANT-40-2的性能较优，在赋予SB-2的型号后，从1934年底开始批量生产。SB-2是苏联第一种全金属，机身、蒙皮形成整体承载结构的飞机。初期型号装两台M-100发动机，驱动两副金属固定桨距螺旋桨。发动机散热器布置在发动机前端，因此从外观上可以看见若干垂直布置的调温百叶窗叶片。该机比同时代的大多数战斗机要飞得快，在30年代中期是一种先进的轰炸机。做为苏联红军的主要轰炸机，SB-2参加了30年代中后期的若干战争：1936年7月18日西班牙内战爆发，苏联曾向共和军提供684架I-15、I-16、SB-2型飞机的援助。SB-2轰炸机曾轰炸萨拉曼卡、塞维尔、卡塞利斯、格兰拉达等地的叛军集结地域和阵地配系，直接支援共和军作战。在西班牙前线，共和军战士为SB轰炸机取的绰号是“Katyushka”。1937年7月7日，抗日战争全面爆发。中国空军仅有300架各型老旧飞机，凭着满腔爱国热情，奋起抵抗日军侵略。3个月后，中国空军作战飞机消耗殆尽，当中国空军处于最困难的时候，苏联给予了大力援助。8月21日，苏联与中国政府签定了互不侵犯条约，从1937年10月到1939年9月，中国空军从苏联获得飞机985架，其中SB系列轰炸机392架。中国空军得以继续对日作战。1937年11月苏联空军援华志愿队开始抵达中国。12月1日，23架I-16和20架SB飞抵南京。2日，9架SB轰炸了上海被日军占领的机场和黄浦江内的日军舰艇。从此，SB作为苏联空军志愿队和中国空军在战争初期的主要轰炸机，参加了几乎每一次对日军的轰炸。SB系列轰炸机还参加1938年7、8月的苏、日哈桑湖之战和1939年5月-8月的哈勒欣河之战，以及1939年底至1940年初的苏芬战争。卫国战争初期，苏联空军的编成中旧式飞机占很大比例，SB系列轰炸机参加了抗击德国军队入侵的战斗，但是性能已经明显落后，随战争的消耗逐渐被新型飞机取代。在长达5年的生产中SB系列一共生产了6600余架，并按下列顺序有以下型号：ANT-40-1/ANT-40-2RTs;ANT-40-2/ANT-40-2Is两种原型机。Is即Hispano-Suiza的俄语拼法的缩写。1934年底开始批量生产。SB-2M-1001936年生产型，发动机Hispano-Suiza 12Y，装2叶固定桨距螺旋桨。SB-2M-100A1936年对发动机进行改进，又将2叶螺旋桨改为3叶可调桨距螺旋桨(VIsh-2)，起飞滑跑距离缩短了150M，升限提高1160M。SB-2M-1031937年换装更强有力的发动机M-103(960hp)，机翼下增加了可外挂2*500KG炸弹的外挂点，最大载弹量提高到1600KG，航速提高到423KM/H。同年由M.Y.Aleseev驾驶，创造了载重1000KG达到12240.5M高度的记录。SB-Bis2SB-2M-103型的发展型，1938年5月试飞，随即为Sb-Bis3取代。SB-Bis3/SB-2M-103(1939)/SB-3SB系列的最后改进型，发动机散热器改在发动机下方，发动机短舱迎风面积减小，航速进一步提高。在生产期中，还在SB的基础上发展了若干飞机：T1 ANT-41 鱼雷机DI-8/ANT-46 重型战斗机MMN 轰炸机编辑本段Adobe Soundbooth中文名: 奥多比音频处理程序 Adobe Soundbooth CS4英文名: Adobe Soundbooth CS4发行时间: 2008年制作发行: 奥多比 Adobe地区: 美国简介:轻松建立和编辑音讯Adobe Soundbooth CS4 软体为网页设计人员、视讯编辑人员和其他创意专业人员提供多种工具来建立与润饰音讯、自订音乐和音效等。Adobe Soundboth 设计目标是为网页及影像工作流程提供高品质的声音讯号，能快速录制、编辑及创作音讯。紧密整合於 Adobe Macromedia Flash 及 Adobe Premiere Pro 中，更让 Adobe Soundbooth 使用者能轻松地移除录音杂讯、修饰配音，为作品编排最适合的配乐。Soundbooth CS4 最大的改变就是开始支援多轨录音（CS3 只支援一轨身历声）。主要新特性：· 支援多轨录音（CS3 只支援一轨身历声）· 支援 Adobe 的 ASND 原始音讯格式，可直接编辑 Premiere Pro、Flash CS4、After Effects CS4 的音讯档格式· 改进音量关键帧的功能· 自动音量修正，可使多个音轨的音量互相平衡· 可预听各种 MP3 编码率· 改进 Loop 工具，可自动探测电平峰值点做切片· 可连网与 Resource Central 连接，下载乐谱· 可搜索影片中的词语编辑本段动漫作品基本信息《SKIP BEAT》是日本漫画家仲村佳树的一部漫画作品 《skip beat》海报单行本 （至2006年10月 半月刊《花与梦》连载中 白泉社）SKIP BEAT直接译就是跳跃的节拍拉,在港台地区就翻译成《华丽的挑战》或者《下一站巨星》，也有译者将其内容结合翻译成《不再被干》故事概述女主角最上恭子，原本只是一名京都的国中生,一个普通的天真女孩,一心想成为青梅竹马一起长大的“王子”不破尚的新娘。因为不破尚的请求，而放弃了读高中的机会，随不破尚来到东京。不破尚为了成为艺人而努力，恭子为照顾他每天疯狂打工、完全不顾自己，却无怨无悔。她不打扮，不穿好衣裳，每天不停的工作，就是为了养活尚。不破尚不久迅速走红,开始疏远恭子。然而突然有一天，恭子无意中听见尚说：“恭子呀，她只是我的一个女佣罢了。”在遭到不破尚无情的背叛后,少女爆发了。心中的怨念把她的潘多拉盒子打开了，产生了很可怕的怨灵（也就是怨京）。恭子决定报仇！发誓要进入演艺圈将不破尚骄傲的自尊踩在脚下!为了实现这个目的，而进入了演义界。于是参加了LME公司的选拔新人活动，因为心中缺乏爱而落败了， 后来加入了LME公司专门为她这类缺乏爱的人而创办的拉不密部(LOVE ME部) 并取艺名为京子。然后恭子在事务所里，碰见了尚视为劲敌的演艺圈里的NO.1——敦贺莲（性格恶劣的美男子）。本与敦贺莲水火不容的恭子，却在与敦贺莲的相处中渐渐互相了解，“冰释前嫌”！在一次又一次的考验中，恭子充分的展现了她演技方面的天赋，得到了不少人的肯定！而敦贺莲也成了恭子的“良师益友”，在与恭子的交流中，莲发现恭子就是儿时偶遇的女孩，而莲就是恭子念念不忘的“妖精王子”——CORN！精彩的故事就此展开！[1]哪条路都不好走呀。“什么困难我都不怕！”少女燃烧了……向艺能事业挑战，轻轻松松爬上星路，但又尽显不屈不挠精神。背后的意义《SKIP BEAT》并不是一部依靠完美的恋情，艳丽的男女主人公和华而不实的画风来吸引读者眼球的庸俗的少女漫画，它更多的是展现了女主人公最上恭子通过自己不懈的努力去面对各种各样的挑战精神，而这个用努力来证明自己的女孩也越来越受到读者的喜爱，而作者仲村佳树也没有将恭子创作成一个“为爱而活”的女性。作品中很多夸张的“怨京”和搞笑的Q版人物形象也给作品增添了许多活力，而恭子每一次的成长和不俗演技的展示也让读者看后为之振奋！可以说《SKIP BEAT》是一部依靠漫画本身的内容来吸引广大读者的优秀作品。它的成功也带来了新时代少女漫画又一理念——自立，自强！用自身的努力创造未来！编辑本段其他Sb=神兵 在国内很多网游 如大话西游系列sb=Superboy(超级男生)也是动画Saint Beast（四圣兽）的简称也是shi bie（识别）的简称SB=shao bing哨兵(魔兽RPG防守地图中的玩家对角色的简称)SB=Small Bus （小公共汽车）SB=手机操作系统symbian的简称。SB=Sunny Breakfast 阳光早餐SB=stock broker的简称。Stock Broker(证券经纪公司) 与自营商不同，经纪公司本身不具有资金或帐户，纯粹是接受投资人委托进行交易，并从中赚取交易的手续费或佣金。sb：所罗门群岛SB=Symmetry Breaking （对称性破缺，物理学中最重要的概念之一，2008年诺贝尔物理奖的获奖理由）S.B=somebody的简称基本上多数被用作不雅词语简称编辑本段DOTA英雄简介裂魂人(白牛) 英文：Spirit Breaker(SB) Barathrum(英雄介绍)角色背景自从被灵蹄部落放逐以后，Barathrum带着羞愧藏身于灵界。在那里，他以吞食游魂为生，就这样浑浑噩噩、孤独而又凄惨地游荡了好几个世纪。在被巫妖王发现并招至帐下以后，Barathrum不可思议的速度和幽魂般的力量得以在尘世释放。他的灯 sb笼能向对手投射冥界的力量，将他们向后推送。藉着瞬间靠近对手的能力，Barathrum对于任何人来说都是不容小看的对手。力量 - 23 + 2.5 敏捷 - 17 + 1.7 智力 - 15 + 1.8可以学习暗影冲刺，巨力重击，神行太保和幽冥一击。移动速度 295 射程 100（近身）技能介绍技能说明(6.72B)暗影冲刺(C)裂魂人紧盯着一个目标向他冲去，无视地形。当他忽然从阴影中出现时，会惊吓对手，使其不能动弹。如果在此过程中目标死亡，裂魂人将自动寻找一个较近的单位继续冲刺。当目标被击晕时，250范围内的所有其他敌方单位将会受到你当前等级的巨力重击效果。持续时间：1.4/1.8/2.2/2.6冲刺速度：425/500/575/650冷却时间：40魔法消耗：75施法距离：全地图注意：1- 获得目标及其周围小部分的视野2- 如果目标提前死亡，裂魂人会自动选择最近的一个可见敌人3- 冲刺会被技能打断4- 在裂魂人靠近2500范围内后，目标的状态栏才会有提示神行太保 H裂魂人快速的移动使他的攻击也更加有力，他同时提升附近900范围内的友方单位的移动速度。等级1 - 增加裂魂人相当于4%移动速度的攻击力，提升附近900范围内的友方单位4%的移动速度。等级2 - 增加裂魂人相当于8%移动速度的攻击力，提升附近900范围内的友方单位6%的移动速度。等级3 - 增加裂魂人相当于12%移动速度的攻击力，提升附近900范围内的友方单位8%的移动速度。等级4 - 增加裂魂人相当于16%移动速度的攻击力，提升附近900范围内的友方单位10%的移动速度。对建筑有效混乱攻击 普通伤害巨力重击 0在攻击中有17%的几率重击对手，将他推至后方并造成额外的伤害。 无视魔法免疫等级1 - 在攻击中有17%的几率重击对手，造成25点额外的伤害，并将他向后推送140的距离。等级2 - 在攻击中有17%的几率重击对手，造成50点额外的伤害，并将他向后推送180的距离。等级3 - 在攻击中有17%的几率重击对手，造成70点额外的伤害，并将他向后推送220的距离。等级4 - 在攻击中有17%的几率重击对手，造成100点额外的伤害，并将他向后推送260的距离。幽冥一击 快捷键：E瞬间移动到目标的身旁，攻击造成额外的伤害。如果你学习了巨力重击，它会被发动。施法时间：1秒 无视魔法免疫 法术攻击 普通伤害 施法距离：400/550/700等级1 - 造成额外的100点的伤害。等级2 - 造成额外的200点的伤害。等级3 - 造成额外的300点的伤害。等级1: 魔法消耗200点，施法间隔75秒。等级2: 魔法消耗250点，施法间隔75秒。等级3: 魔法消耗300点，施法间隔75秒。神杖升级：CD减少至20秒。编辑本段手机操作系统SB通常被作为Symbian操作系统的简称。Symbian OS(中文译音“塞班系统”)由诺基亚、索尼爱立信、摩托罗拉、西门子等几家大型移动通讯设备商共同出资组建的一个合资公司，专门研发手机操作系统。现已被NOKIA全额收购。 Symbian操作系统的前身是EPOC，而EPOC是 Electronic Piece of Cheese取第一个字母而来的，其原意为“使用电子产品时可以像吃乳酪一样简单”，这就是它在设计时所坚持的理念。Symbian操作系统在智能移动终端上拥有强大的应用程序以及通信能力，这都要归功于它有一个非常健全的核心－强大的对象导向系统、企业用标准通信传输协议以及完美的sun java语言。Symbian认为无线通讯装置除了要提供声音沟通的功能外，同时也应具有其它种沟通方式，如触笔、键盘等。在硬件设计上，它可以提供许多不同风格的外型，像使用真实或虚拟的键盘，在软件功能上可以容纳许多功能，包括和他人互相分享信息、浏览网页、传输、接收电子信件、传真以及个人生活行程管理等。此外，Symbian操作系统在扩展性方面为制造商预留了多种接口，而且EPOC 操作系统还可以细分成三种类型：Pearl/Quartz/Crystal，分别对应普通手机、智能手机、Hand Held PC场合的应用编辑本段邵氏兄弟电影公司SB为邵氏兄弟电影公司(Shaw Brothers)的英文缩写，在每部邵氏电影的片头必出现此标志。邵氏电影公司 sb曾被誉为“东方好莱坞”，拍摄的经典作品无数，捧出李翰祥、胡金铨、张彻、楚原、华山、孙仲、程刚等著名导演及林黛、乐蒂、凌波、赵雷、王羽、郑佩佩、狄龙、姜大卫、陈观泰、傅声、汪禹、刘家辉、惠英红等叱咤影坛的影星。1958年由邵逸夫等兄弟创建，1985年宣布停产。编辑本段交通运输/航海SB=Safe Berth 船舶安全泊位编辑本段解剖学Segmental Bronchi（肺段支气管）的缩写编辑本段网络语言中文名称：棒旋星系 英文名称：barred spiral galaxy;SB galaxy 定义：有棒状结构贯穿核球的旋涡星系，以符号“SB”表示, 以别于正常旋涡星系(S) 。其旋臂始于棒的两端。按旋臂开展程度和核球相对于盘的大小分为SBa，SBb和SBc三个次型。SBa 旋臂缠绕最紧，核球相对最大；SBc旋臂最舒展，核球相对最小。 barred spiral galaxy 一种有棒状结构贯穿星系核的漩涡星系。在星系的分类中，以符号SB表示,以区别于正常螺旋星系S。 在全天的亮星系中,棒旋星系约占15%.当统计到较暗的星系时,棒旋星系的比例提高到25%。棒旋星系在质量,光度和光谱上,在成员天体的星族类型, 气体和尘埃的分布, 星系盘和星系晕的结构以及空间 分布的特征等方面，都和正常的螺旋星系相似。 棒旋星系在运动方面的特征是:核心常为一个大质量的快速旋转体,运动状态和空间结构复杂，棒状结构内部和附近的气体和恒星都有非圆周运动； 星系盘在星系的外部似乎居主要地位, 占星系质量的很大一部分。 棒旋星系有许多基本问题尚待解决,如棒状结构是怎样形成的,它在星系演化过程中起什么作用等。

leadthefashion学习是一件愉快的事！(*^__^*)请及时采纳，多谢！